Ever since she triumphed, and won the part of Nancy, in BBC TV’s “I’d Do Anything” talent search, Jodie Prenger has held a very special place in the public’s heart with her infectious personality and her incredible voice. Now, with Oliver and the streets of Victorian London far behind her, Jodie follows in the, hallowed, footsteps of Doris Day by taking on the iconic role of Calamity Jane, and making it her own.
The set is very large and fairly static but, having said that, with the clever use of lighting and props is able to represent the Golden Garter theatre, Calamity Jane’s cabin and even the Deadwood Stage surprisingly easily.
The fourteen actor / musicians who star in the show are all incredible performers. They pick up, play and exchange instruments with every new song, even improvising the percusion section with barrels, boxes and other assorted props. The subtle nature of the music gives a sublime feel to the famous tunes that permeate the show, and allows the lyrics to shine through.
Tom Lister is every each the leading man with his portrayal of Wild Bill Hickok, one minute enjoying some macho posturing and, almost without notice, then lauching into a magnificaently simple version of “Higher Than a Hawk” which, with just his guitar accompaniment, is just breathtaking.
The other leads in the show include Lieutenant Danny Gilmartin, played by Alex Hammond, Phoebe Street as wannabe diva Katie Brown and Rob Delaney as song and dance man Francis Fryer. All three are tremendously strong in their roles and their versatility as actors, dancers and musicians is just amazing.
As is to be expected, the show belongs to its leading lady. Jodie Prenger obviously relishes playing such an iconic character and she gives her all to the part. Far from the sugary sweet version that Doris Day gave us in the 1953 film, Prenger is a much more gritty “Calam” and it’s very easy to imagine her winning even the most viscious bar brawl. In act two she then allows us to see the much more vulnerable and feminine side of the character and, by the time she gets to belt out “Secret Love”, the audience sits in stunned silence before erupting into applause.
This production ticks all the boxes that will ensure it’s success and is a major feather in the Congress Theatre’s cap as they have, once again, brought a superb “West End style” show down to the seaside.
***** Five Stars